Pre sequential art columns and friezes1/23/2024 ![]() ![]() The long controversy over the British Museum’s Parthenon marbles illustrates how the frieze transcends both architecture and art to become a medium in its own right. The frieze was the narrative element of the architecture, a sculptural strip that could be read for its mythical themes, or it could just act as decoration. Its appearances on Mesopotamian, Egyptian, Aztec, Mayan, Indian and African buildings suggest that architecture’s flamboyant hatband is an almost universal element. The frieze originated in classical architecture with its trabeation (columns and beams) and decorated the beams above the columns and the tympanum within the pediment. The reasons for its disappearance seem obvious. But it is also true that since the end of brutalism, sometime in the early 1980s, it has almost disappeared from modern architecture. The frieze has been a recurring feature in the history of architecture. Photomontage of Amerigo Tot and the plan of his frieze for Termini station in Rome, created by Cosimo Boccardi in 1949. But Tot’s frieze for Termini also gives the lie to the misconception that friezes somehow died out with the ancients and the neoclassicists who built the rest of Rome. It seems appropriate that Tot, who also appeared in Fellini’s Satyricon and Mike Hodges’ Pulp, should have had a sideline as an actor. There is something flamboyant about a frieze. He was played by Amerigo Tot (1909–84), a Hungarian artist (he was born Imre Tóth), part-time actor and one-time Italian resistance fighter who was responsible for sculpting the frieze on the front of Termini. ![]() ![]() Seen wearing only a black hat and black rollneck, the taciturn assassin cuts a sinister figure. Think back to The Godfather Part II, and you may remember a silent, unsettling character who acts as bodyguard and hitman for Michael Corleone. It is quiet and subtle, a discreet touch of abstract ornamentation on the leading edge of a slice of otherwise unadorned and exquisitely mid-century modernism. The concept of a frieze has been generalized in the mathematical construction of frieze patterns.I f you have ever approached Termini station in Rome, you may have noticed a frieze on the edge of the slender canopy. Such friezes were features of 17th-century Northern Mannerism, especially in subsidiary friezes, and much employed in interior architecture and in furniture. In an example of an architectural frieze on the façade of a building, the octagonal Tower of the Winds in the Roman agora at Athens bears relief sculptures of the eight winds on its frieze.Ī pulvinated frieze (or pulvino) is convex in section. More loosely, "frieze" is sometimes used for any continuous horizontal strip of decoration on a wall, containing figurative or ornamental motifs. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. Frieze decorations may depict scenes in a sequence of discrete panels. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. Paterae are also usually used to decorate friezes. In classical architecture, the frieze / f r iː z/ is the wide central section of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. ( John Wood, the Elder, architect) Frieze of animals, mythological episodes at the base of Hoysaleswara temple, India What is described as "frieze" on the roof of Yankee Stadium Architectural detail of the frieze showing the alternating triglyphs and metope. JSTOR ( October 2023) ( Learn how and when to remove this template message)ĭoric frieze at the Temple of Hephaestus, Athens (449–415 BCE).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. ![]()
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